Eight porcelain features of the Qing Dynasty

Kangxi colorful porcelain. Guangxu blue-and-white baby show bowl.

1: The porcelains of the DPRK in the Qing Dynasty were rich in content, with both common styles and different characteristics. In the period of Shunzhi and Kangxi period, the porcelain of the Qing dynasty was modeled after ancient times, plump and full; the Yongzheng period was a show of artfulness; when the Qianlong period, it was clearly structured; after Jiaqing and Daoguang, it was juniperous and unwieldy.

2: The carcass, enamels are generally moderate in thickness, and the rounders are thick and thin. During the Kangxi period, the carcass weighed and the texture was firm and dense; at the time of the carcass, the quality of the carcass was light, thin, and smooth, and the whiteness was high. After the light, the carcass was thick and stupid. In the Qing dynasty, the abdominal and neck scars were extremely rare. In the Ming Dynasty, there were often red spots of flint on the exposed fetal surface, which had basically disappeared in the Qing Dynasty.

3: The glaze is not as bright as the bright fat of the Ming Dynasty. The glaze is thin and the color is slightly blueish. In the Shunzhi and Kangxi dynasties, the glaze was smooth and delicate, and the fetal glaze was tightly bonded. The glazed surfaces were white, white, and white. The glaze was fine, white and shiny, and there were orange peel wrinkles. The Qianlong was flat and green. In the late Qing Dynasty, glazing was thin and enamel was loose.

4: The decoration was deeply influenced by the paintings of the same period. The porcelain wares of the people's kiln were coextensive and realistic, and they were boldly placed with the pen. Queen's official kiln, the pattern tends to standardize, with pen fine-grained, composition rigidly. The ancient costumes in the early ornamentation were beautiful and dignified, and the flowers were painted with no bones. The figure in the late ornamentation is avatar and the nose is large. During this period, the dragon's pattern is not the same. There are large amounts of square head, solemn vigorousness, and slender body, usually a lion head, and the dragon has more hair. The dragon's foot is prominent, the three-dimensional sense of the feet is strong, and the dragon's body is stupid. It is generally painted as four-jaw and five-jaw, just like chicken feet.

5: In the Qing Dynasty, due to the influence of Western painting art on porcelain crafts, patterns with Western painting styles appeared. For example, in Western porcelain and some exported porcelain, Western figures, buildings, boats and dogs can be seen from time to time.

6: The patterns of the eight treasures of the Qing Dynasty were rounds, snails, umbrellas, covers, flowers, pots, fish, and intestines.

7: Large objects and early artifacts are mostly smooth sand bottoms. During the period of Shunzhi and Kangxi, the foot styles of porcelain were relatively diverse, with double-ring bottoms, beveled bottoms, two-layered table bottoms, foot-beds, and rounded muddy back-shaped feet.

8: The official kiln of Jingdezhen belongs to the emperor's number. Min Kilns have dry money, auspicious terms, private funds, and drawings, etc.; there are printed, engraved, blue and white, red glaze, gold color, material color, and so on. Kangxi is more than a few people, and it is also used by Yongzheng and Qianlong. Tongzhi, Guangxu, Xuantong three dynasties, but also to the book money for more, the outer circle or box format. Civilian Kilns know how to casually write, font wasted.